Sugar Bowl with the Village of Cedars, St. Lawrence River
Manufacturer
Francis Morely and Co.
(English, 1845 - 1861)
CultureEnglish
Date1845-1848
MediumEarthenware with blue transfer print from the “Lake” series, inspired by William Bartlett (1809–1854), Canadian Scenery, Volume I, 1840
DimensionsOverall: 5 5/16 × 6 5/16 × 4 3/4 in. (13.5 × 16 × 12 cm)
MarkingsNone
DescriptionBlue and white covered sugar bowl from the Lake series with a portrayal of "Village of the Cedars" from William Bartlett's Canadian Scenery (1838) and a rose swag and foliate scroll border
Bartlett Views of Canada
According to Collard, the well-known topographical artist William Bartlett (1809-54) presented “the rawness of the new country with a softer tone that the Victorians frequently preferred to see it.” At least six potteries in Staffordshire produced in the range of 26 views of William Bartlett’s Canadian Scenery between 1840-1880 on dinner, breakfast, tea and toilet wares. Canadian Historical China, as it is sometimes called, has been found all over the world, not just in Canada and therefore was not made exclusively for the North American market. Podmore Walker and Co., called their multi-scene pattern, “British America” and produced the most scenes in the range of 20. Podmore often enhanced the views by adding birch bark canoes and soldiers and their families. Francis Morley & Co. called the pattern “Lake” to attract the American market and, amongst the Staffordshire potters, produced the views for the longest period and offered the pattern in the widest range of colours including gilding.
Bartlett Views of Canada
According to Collard, the well-known topographical artist William Bartlett (1809-54) presented “the rawness of the new country with a softer tone that the Victorians frequently preferred to see it.” At least six potteries in Staffordshire produced in the range of 26 views of William Bartlett’s Canadian Scenery between 1840-1880 on dinner, breakfast, tea and toilet wares. Canadian Historical China, as it is sometimes called, has been found all over the world, not just in Canada and therefore was not made exclusively for the North American market. Podmore Walker and Co., called their multi-scene pattern, “British America” and produced the most scenes in the range of 20. Podmore often enhanced the views by adding birch bark canoes and soldiers and their families. Francis Morley & Co. called the pattern “Lake” to attract the American market and, amongst the Staffordshire potters, produced the views for the longest period and offered the pattern in the widest range of colours including gilding.
Credit LineThe Barbara and James Moscovich Collection of Canadian Historical China
Object numberG13.15.29a-b
Classifications
European CeramicsSub-classification
English EarthenwareStatus
On view
Artist / Maker: Podmore, Walker and Co.
1834-1859
Object number: G13.15.10
Artist / Maker: Podmore, Walker and Co.
1845-1858
Object number: G13.15.16
Artist / Maker: Podmore, Walker and Co.
1842-1859
Object number: G13.15.15
Artist / Maker: Podmore, Walker and Co.
1842-1859
Object number: G13.15.13
Artist / Maker: Podmore, Walker and Co.
1842-1859
Object number: G13.15.11
Artist / Maker: Podmore, Walker and Co.
1842-1859
Object number: G13.15.14
Artist / Maker: Francis Morely and Co.
1845-1858
Object number: G13.15.39
Artist / Maker: Francis Morely and Co.
1845-1858
Object number: G13.15.41
Artist / Maker: Francis Morely and Co.
1845-1858
Object number: G13.15.32
Artist / Maker: Francis Morely and Co.
1845-1859
Object number: G13.15.31a-b
Artist / Maker: J. and T. Edwards
1841-1851
Object number: G13.15.21
Artist / Maker: J. and T. Edwards
1841-1851
Object number: G13.15.23