Cream jug with a view of Chaudière Bridge (from British America series)
Manufacturer
Podmore, Walker and Co.
(English, 1834 - 1859)
CultureEnglish
Date1842-1859
MediumPearl stoneware with blue transfer print
DimensionsOverall: 13 3/16 × 11 × 7 3/4 in. (33.5 × 27.9 × 19.7 cm)
MarkingsMaker's marks
DescriptionBlue and white cream jug from the British America series. The jug has a scene of Chaudière Bridge taken from William Bartlett's "Canadian Scenery" (1838). There is a vermiculated and foliage border.
Bartlett Views of Canada
According to Collard, the well-known topographical artist William Bartlett (1809-54) presented “the rawness of the new country with a softer tone that the Victorians frequently preferred to see it.” At least six potteries in Staffordshire produced in the range of 26 views of William Bartlett’s Canadian Scenery between 1840-1880 on dinner, breakfast, tea and toilet wares. Canadian Historical China, as it is sometimes called, has been found all over the world, not just in Canada and therefore was not made exclusively for the North American market. Podmore Walker and Co., called their multi-scene pattern, “British America” and produced the most scenes in the range of 20. Podmore often enhanced the views by adding birch bark canoes and soldiers and their families. Francis Morley & Co. called the pattern “Lake” to attract the American market and, amongst the Staffordshire potters, produced the views for the longest period and offered the pattern in the widest range of colours including gilding.
Bartlett Views of Canada
According to Collard, the well-known topographical artist William Bartlett (1809-54) presented “the rawness of the new country with a softer tone that the Victorians frequently preferred to see it.” At least six potteries in Staffordshire produced in the range of 26 views of William Bartlett’s Canadian Scenery between 1840-1880 on dinner, breakfast, tea and toilet wares. Canadian Historical China, as it is sometimes called, has been found all over the world, not just in Canada and therefore was not made exclusively for the North American market. Podmore Walker and Co., called their multi-scene pattern, “British America” and produced the most scenes in the range of 20. Podmore often enhanced the views by adding birch bark canoes and soldiers and their families. Francis Morley & Co. called the pattern “Lake” to attract the American market and, amongst the Staffordshire potters, produced the views for the longest period and offered the pattern in the widest range of colours including gilding.
Credit LineThe Barbara and James Moscovich Collection of Canadian Historical China
Object numberG13.15.13
Classifications
European CeramicsSub-classification
English EarthenwareCollections
Status
Not on view
Artist / Maker: Podmore, Walker and Co.
1845-1858
Object number: G13.15.16
Artist / Maker: Podmore, Walker and Co.
1834-1859
Object number: G13.15.10
Artist / Maker: Podmore, Walker and Co.
1842-1859
Object number: G13.15.15
Artist / Maker: Podmore, Walker and Co.
1842-1859
Object number: G13.15.11
Artist / Maker: Podmore, Walker and Co.
1842-1859
Object number: G13.15.14
Artist / Maker: Francis Morely and Co.
1845-1848
Object number: G13.15.29a-b
Artist / Maker: J. and T. Edwards
1841-1851
Object number: G13.15.21
Artist / Maker: J. and T. Edwards
1841-1851
Object number: G13.15.20
Artist / Maker: J. and T. Edwards
1841-1851
Object number: G13.15.23
Artist / Maker: Podmore, Walker and Co.
Object number: G13.15.18
Artist / Maker: Podmore, Walker and Co.
1842-1859
Object number: G13.15.17
Artist / Maker: J. and T. Edwards
1840-1851
Object number: G13.15.22a-b