12https://emuseum.gardinermuseum.com/internal/media/dispatcher/4492/fullPlatter with view of Kingston, ON (from British America series)1840s[Podmore, Walker and Co.]Earthenware with glaze and blue transfer printEarthenware platter with a blue tranfer print of a view of Kingston, Lake Ontario, designed after a print by William Henry Bartlett (British, 1809-54).European Ceramicshttps://emuseum.gardinermuseum.com/objects/2987/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/4493/fullPlatter with View of the Citadel at Kingston (from British America series)1840s[Podmore, Walker and Co.]Earthenware with glaze and transfer printEarthenware platter with blue transferprint of the view of the citadel at Kingston, ON (from British America series), designed after a print by William Henry Bartlett (British, 1809-54).European Ceramicshttps://emuseum.gardinermuseum.com/objects/2988/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/24003/fullPlatter with a View of Quebec City1834-1859[Podmore, Walker and Co.]Earthenware with brown transfer print from the “British America” series, inspired by William Bartlett (1809–1854), Canadian Scenery, Volume I, 1840Brown and white platter from the British America series, with a transfer-print scene of Quebec harbour. This scene was inspired by William Bartlett's "Canadian Scenery". In the background of the scene is Quebec and a number of ships in the water. The foreground shows a group of figures standing along the shoreline. There is a vermiculated and foliate border. Bartlett Views of Canada According to Collard, the well-known topographical artist William Bartlett (1809-54) presented “the rawness of the new country with a softer tone that the Victorians frequently preferred to see it.” At least six potteries in Staffordshire produced in the range of 26 views of William Bartlett’s Canadian Scenery between 1840-1880 on dinner, breakfast, tea and toilet wares. Canadian Historical China, as it is sometimes called, has been found all over the world, not just in Canada and therefore was not made exclusively for the North American market. Podmore Walker and Co., called their multi-scene pattern, “British America” and produced the most scenes in the range of 20. Podmore often enhanced the views by adding birch bark canoes and soldiers and their families. Francis Morley & Co. called the pattern “Lake” to attract the American market and, amongst the Staffordshire potters, produced the views for the longest period and offered the pattern in the widest range of colours including gilding. European Ceramicshttps://emuseum.gardinermuseum.com/objects/5796/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/24005/fullPlatter with a View of Halifax from Dartmouth1842-1859[Podmore, Walker and Co.]Earthenware with blue transfer print from the “British America” series, inspired by William Bartlett (1809–1854), Canadian Scenery, Volume II, 1842Platter from the British America Series with a transfer print scene of a view of Halifax from Dartmouth. The image was taken from "Canadian Scenery" by William Bartlett. There is a vermiculated and foliate border. Bartlett Views of Canada According to Collard, the well-known topographical artist William Bartlett (1809-54) presented “the rawness of the new country with a softer tone that the Victorians frequently preferred to see it.” At least six potteries in Staffordshire produced in the range of 26 views of William Bartlett’s Canadian Scenery between 1840-1880 on dinner, breakfast, tea and toilet wares. Canadian Historical China, as it is sometimes called, has been found all over the world, not just in Canada and therefore was not made exclusively for the North American market. Podmore Walker and Co., called their multi-scene pattern, “British America” and produced the most scenes in the range of 20. Podmore often enhanced the views by adding birch bark canoes and soldiers and their families. Francis Morley & Co. called the pattern “Lake” to attract the American market and, amongst the Staffordshire potters, produced the views for the longest period and offered the pattern in the widest range of colours including gilding. European Ceramicshttps://emuseum.gardinermuseum.com/objects/5797/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/9760/fullCup and saucer with a View of Navy Island (from British America Series)1842-1859[Podmore, Walker and Co.]Earthenware with blue transfer printBlue and white cup and saucer from the British America series, with a scene of "Navy Island". The scene is derived from William Bartlett's "Canadian Scenery". There is a vermiculated and foliate border. European Ceramicshttps://emuseum.gardinermuseum.com/objects/5807/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/9763/fullCream jug with a view of Chaudière Bridge (from British America series)1842-1859[Podmore, Walker and Co.]Pearl stoneware with blue transfer printBlue and white cream jug from the British America series. The jug has a scene of Chaudière Bridge taken from William Bartlett's "Canadian Scenery" (1838). There is a vermiculated and foliage border. Bartlett Views of Canada According to Collard, the well-known topographical artist William Bartlett (1809-54) presented “the rawness of the new country with a softer tone that the Victorians frequently preferred to see it.” At least six potteries in Staffordshire produced in the range of 26 views of William Bartlett’s Canadian Scenery between 1840-1880 on dinner, breakfast, tea and toilet wares. Canadian Historical China, as it is sometimes called, has been found all over the world, not just in Canada and therefore was not made exclusively for the North American market. Podmore Walker and Co., called their multi-scene pattern, “British America” and produced the most scenes in the range of 20. Podmore often enhanced the views by adding birch bark canoes and soldiers and their families. Francis Morley & Co. called the pattern “Lake” to attract the American market and, amongst the Staffordshire potters, produced the views for the longest period and offered the pattern in the widest range of colours including gilding. European Ceramicshttps://emuseum.gardinermuseum.com/objects/5805/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/9768/fullBasin with a View of Quebec (from British America series)1842-1859[Podmore, Walker and Co.]Earthenware with blue transfer printBlue and white basin from the British America Series with a transfer print scene of Quebec. The image was taken from "Canadian Scenery" by William Bartlett. The scene shows a soldier and figures on the shoreline, with ships, a city and mountains in the background and a vermiculated and foliate border. Bartlett Views of Canada According to Collard, the well-known topographical artist William Bartlett (1809-54) presented “the rawness of the new country with a softer tone that the Victorians frequently preferred to see it.” At least six potteries in Staffordshire produced in the range of 26 views of William Bartlett’s Canadian Scenery between 1840-1880 on dinner, breakfast, tea and toilet wares. Canadian Historical China, as it is sometimes called, has been found all over the world, not just in Canada and therefore was not made exclusively for the North American market. Podmore Walker and Co., called their multi-scene pattern, “British America” and produced the most scenes in the range of 20. Podmore often enhanced the views by adding birch bark canoes and soldiers and their families. Francis Morley & Co. called the pattern “Lake” to attract the American market and, amongst the Staffordshire potters, produced the views for the longest period and offered the pattern in the widest range of colours including gilding. European Ceramicshttps://emuseum.gardinermuseum.com/objects/5905/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/9770/fullPlate with a View of Navy Island (from British America series)1842-1859[Podmore, Walker and Co.]Earthenware with bleu transfer printBlue and white plate from the British America series, with a transfer print of "Navy Island" derived from William Bartlett's "Canadian Scenery" (1838). The Image depicts figures by shore line with a dock on the water and a vermiculated and foliate border. Bartlett Views of Canada According to Collard, the well-known topographical artist William Bartlett (1809-54) presented “the rawness of the new country with a softer tone that the Victorians frequently preferred to see it.” At least six potteries in Staffordshire produced in the range of 26 views of William Bartlett’s Canadian Scenery between 1840-1880 on dinner, breakfast, tea and toilet wares. Canadian Historical China, as it is sometimes called, has been found all over the world, not just in Canada and therefore was not made exclusively for the North American market. Podmore Walker and Co., called their multi-scene pattern, “British America” and produced the most scenes in the range of 20. Podmore often enhanced the views by adding birch bark canoes and soldiers and their families. Francis Morley & Co. called the pattern “Lake” to attract the American market and, amongst the Staffordshire potters, produced the views for the longest period and offered the pattern in the widest range of colours including gilding. European Ceramicshttps://emuseum.gardinermuseum.com/objects/5915/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/9800/fullSoap dish with Indigenous scene on the St. Lawrence (from British America series)1845-1858[Podmore, Walker and Co.]Pearl stoneware with blue transfer printBlue and white dish from the British America series, with transfer print scene of the "Indigenous Scene along the St. Lawerence" derived from William Bartlett's "Canadian Scenery" (1838) Bartlett Views of Canada According to Collard, the well-known topographical artist William Bartlett (1809-54) presented “the rawness of the new country with a softer tone that the Victorians frequently preferred to see it.” At least six potteries in Staffordshire produced in the range of 26 views of William Bartlett’s Canadian Scenery between 1840-1880 on dinner, breakfast, tea and toilet wares. Canadian Historical China, as it is sometimes called, has been found all over the world, not just in Canada and therefore was not made exclusively for the North American market. Podmore Walker and Co., called their multi-scene pattern, “British America” and produced the most scenes in the range of 20. Podmore often enhanced the views by adding birch bark canoes and soldiers and their families. Francis Morley & Co. called the pattern “Lake” to attract the American market and, amongst the Staffordshire potters, produced the views for the longest period and offered the pattern in the widest range of colours including gilding. European Ceramicshttps://emuseum.gardinermuseum.com/objects/5918/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/9802/fullButter pat dish with View of St. Regis Village (from the British America Series)1842-1859[Podmore, Walker and Co.]Earthenware with blue transfer printBlue and white transfer print butter pat dish from the British America Series, with a View of St. Regis Indigenous Village and vermiculated and foliate border. The scene was taken from William Bartlett's Canadian Scenery (1838)European Ceramicshttps://emuseum.gardinermuseum.com/objects/5919/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/18605/fullPlate with view of an Indigenous Scene along the St. Lawrence (from the British America Series)[Podmore, Walker and Co.]Earthenware with blue transfer printPlate with blue and white transfer print from the British America Series with a view of an Indigenous Scene along the St. Lawerence. The scene is from William Bartlett's Canadian Scenery (1838)European Ceramicshttps://emuseum.gardinermuseum.com/objects/5922/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/9809/fullSmall dish with scene of the Green at Fredericton, NB (from the British America Series)1842-1859[Podmore, Walker and Co.]Earthenware with brown transfer printBrown and white dish from the British America Series with a transfer print of the "Green at Fredericton N.B." and a vermiculated and foliate border. Image was taken from "Canadian Scenery" by William Bartlett. Scene shows a church and town by water, with some boats near by and figures on shore line.European Ceramicshttps://emuseum.gardinermuseum.com/objects/5925/rdf