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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:ItemList><schema:numberOfItems>4</schema:numberOfItems><schema:itemListElement><schema:VisualArtwork><schema:image>https://emuseum.gardinermuseum.com/internal/media/dispatcher/10229/full</schema:image><schema:name>Salt Plate</schema:name><schema:dateCreated>2012</schema:dateCreated><schema:creator>[Joanne Tod]</schema:creator><schema:artMedium>Hand-painted vitreous china</schema:artMedium><schema:description>Tod paints a plate within a plate, playing with illusion and further objectifying decoration.
</schema:description><schema:artForm>Modern and Contemporary Ceramics</schema:artForm><schema:url>https://emuseum.gardinermuseum.com/objects/5022/rdf</schema:url></schema:VisualArtwork></schema:itemListElement><schema:itemListElement><schema:VisualArtwork><schema:image>https://emuseum.gardinermuseum.com/internal/media/dispatcher/10175/full</schema:image><schema:name>Eve and Adam</schema:name><schema:dateCreated>2011</schema:dateCreated><schema:creator>[Joanne Tod]</schema:creator><schema:artMedium>Hand-painted vitreous china</schema:artMedium><schema:description>In the history of art, Eve is traditionally on Adam’s left side. 
However, Tod depicts Angelina Jolie on the right of Brad Pitt highlighting her position of authority. 
</schema:description><schema:artForm>Modern and Contemporary Ceramics</schema:artForm><schema:url>https://emuseum.gardinermuseum.com/objects/5017/rdf</schema:url></schema:VisualArtwork></schema:itemListElement><schema:itemListElement><schema:VisualArtwork><schema:image>https://emuseum.gardinermuseum.com/internal/media/dispatcher/10217/full</schema:image><schema:name>Shafia Family Murders</schema:name><schema:dateCreated>2012</schema:dateCreated><schema:creator>[Joanne Tod]</schema:creator><schema:artMedium>Hand-painted vitreous china</schema:artMedium><schema:description>This collection of tiles were made by Joanne Tod for the Gardiner Museum exhibition, Invited Invasion, 2012. Author Peggy Gale observes:  “More chilling is a series of six blue-and-white Murder Tiles depicting former colonel Russell Williams (CFB Trenton, 2009–2010) as well as murder victims Reena Virk (Squamish, British Columbia, 1997), David Buller (represented by his name and the site of his death at the University of Toronto, 2001), and three images from the prosecution of the Shafia family for their “honour” killings (Kingston, 2009). These are based the Gardiner’s group of seventeenth-century delft wares tiles illustrating the popish plot, each commemorating a series of  “stages” for murder moving from victim through court case and trial to punishment.  There is no irony in these studies, but a grim reminder of the constancy of human nature and of human potential for evil.”</schema:description><schema:artForm>Modern and Contemporary Ceramics</schema:artForm><schema:url>https://emuseum.gardinermuseum.com/objects/5020/rdf</schema:url></schema:VisualArtwork></schema:itemListElement><schema:itemListElement><schema:VisualArtwork><schema:image>https://emuseum.gardinermuseum.com/internal/media/dispatcher/10221/full</schema:image><schema:name>Three Murders</schema:name><schema:dateCreated>2012</schema:dateCreated><schema:creator>[Joanne Tod]</schema:creator><schema:artMedium>Hand-painted vitreous china</schema:artMedium><schema:description>This collection of tiles were made by Joanne Tod for the Gardiner Museum exhibition, Invited Invasion, 2012. Author Peggy Gale observes:  “More chilling is a series of six blue-and-white Murder Tiles depicting former colonel Russell Williams (CFB Trenton, 2009–2010) as well as murder victims Reena Virk (Squamish, British Columbia, 1997), David Buller (represented by his name and the site of his death at the University of Toronto, 2001), and three images from the prosecution of the Shafia family for their “honour” killings (Kingston, 2009). These are based the Gardiner’s group of seventeenth-century delft wares tiles illustrating the popish plot, each commemorating a series of  “stages” for murder moving from victim through court case and trial to punishment.  There is no irony in these studies, but a grim reminder of the constancy of human nature and of human potential for evil.”</schema:description><schema:artForm>Modern and Contemporary Ceramics</schema:artForm><schema:url>https://emuseum.gardinermuseum.com/objects/5019/rdf</schema:url></schema:VisualArtwork></schema:itemListElement></schema:ItemList></rdf:RDF>