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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field name="primaryMedia"><value>https://emuseum.gardinermuseum.com/internal/media/dispatcher/29634/full</value></field><field label="Title" name="title"><value>Double-bird crock</value></field><field label="Date" name="displayDate"><value>late 19th century</value></field><field label="Artist / Maker" name="people"/><field label="Dimensions" name="dimensions"><value>Overall: 29 × 31 cm (11 7/16 × 12 3/16 in.)</value></field><field label="Medium" name="medium"><value>Stoneware</value></field><field label="Credit Line" name="creditline"><value>The Raphael Yu Collection</value></field><field label="Geography" name="geography"><value>Manufactured: Picton, Ontario, Canada</value></field><field label="Object number" name="invno"><value>T10.6.371</value></field><field label="On View" name="onview"><value>1</value></field><field label="Description" name="description"><value>From the sales record: When George Lazier took ownership of the Picton Pottery in 1864, it was already a successful business, established fifteen years early by the Hart family. George Lazier was related, having married Samuel Hart’s daughter. George Lazier ran the pottery from 1864 to 1879. Crocks from this period decorated with birds are scarce and the birds are generally of one type. This is no ordinary Lazier bird crock. Yes, there are two crossed birds, which is extremely rare, but the style of the birds is also unusual for Lazier. Note the dots on the birds’ bodies. This is something more commonly seen on birds from the period when Skinner owned the pottery. Of course, potters and decorators stayed-on through the changes in ownership. The added element of a watch-spring or bowtie design below the birds also makes this one special. This is a large 5 gal butter crock. 11 1/2″ tall. A crack down the left side has been professionally stabilized and restored. The restoration is high quality though a line remains visible. The crock is solid and has a good ring to it. Otherwise the overall condition is excellent. The rim and handles are intact and clean. None of the staining you commonly see with butter crocks. Displays beautifully! If you own one Lazier Picton Canada West crock, it should be this one.</value></field><field label="Collections" name="collections"><value>The Raphael Yu Collection</value><value>19th and early 20th Century Ceramics</value><value>Canadian Ceramics in the 1800s</value><value>Ceramics for the Canadian Market</value></field><field label="Relations" name="rels"><value>[]</value></field><field label="Classifications" name="classification"><value>North American</value></field><field label="Sub-classification" name="subclassification"><value>Canadian</value></field><field label="Sub-classification 2" name="subclassification2"><value/></field><field label="Sub-classification 3" name="subclassification3"><value/></field><field label="Width" name="width"/><field label="Height" name="height"/><field label="Depth" name="depth"/><field label="Id" name="id"><value>185560</value></field><field label="Source ID" name="sourceId"><value>9537</value></field><field label="Culture" name="culture"><value>Canadian</value></field><field label="Period" name="period"><value>Canada West</value></field><field label="Markings" name="markings"><value>Stamped G. Lazier, Picton CW</value></field><field label="Media" name="media"><value mediaImageURL="https://emuseum.gardinermuseum.com/internal/media/dispatcher/29634/full" rank="0" publicAccess="true" pixelWidth="624" pixelHeight="635" mediaRenditionNumber="T10.6.371" mediaID="29634"/></field></object>