72https://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullMacaw effigy bottle with stirrup spout1000-1470[Chimú artist(s)]Burnished earthenwareBurnished earthenware Chimú vessel with stirrup spout in shape of a bird.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/2736/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStirrup spout bottle with incised imagery1250 BCE - 1 CE[Cupisnique artist(s)]Smudged earthenwareChavin stirrup-spout bottle, Early Horizon Period, with half the vessel and spout moulded with a stylized zoomorphic head, possibly a serpent's head, with a scalloped crown. It has a geometric and stippled background and the handle has a projecting knob. It is surrounded by stippling and incised linear motif.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/375/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStirrup-spout bottle with monkey and serpent900-200 BCE[Tembladera artist(s)]Red earthenware, burnishing, and hand-built.Tembladera stirrup-spout bottle, Early Horizon Period, moulded with a central crouching human figure on one side. It is flanked by curling serpentine creatures with cross-hatched scales. On the reverse is an incised demon's head. It is burnished black-black.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/376/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullWhistling bottle with bridge handle1250 BCE - 1 CE[Cupisnique artist(s)]EarthenwareCupisnique vessel, Early Horizon Period, with rounded body, incised with stylized fanged demon heads. It is surmounted by a standing figure wearing a large human-headed headdress tilted backwards connected by a strap handle to the cylindrical spout. It is painted dark with traces of red and ochre pigment.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/377/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStirrup-spout effigy bottle with feline and cactus900-200 BCE[Tembladera artist(s)]Earthenware, burnishing, and hand-built.Tembladera stirrup-spout effigy bottle, Early Horizon Period, the front moulded with a jaguar incised with circle, amidst mountain niches.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/378/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullDouble-chambered whistling bottle with parrot500 - 300 BCE[Salinar artist(s)]Earthenware with slipSalinar double-bodied parrot whistling effigy bottle, Late Early Horizon, with one side moulded as a stylized parrot with curving perforated beak. There is a small rounded handle and a tall spout. It is painted in tan, with brownish-orange lizards, and geometric designs.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/379/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStirrup spout bottle depicting a seated male effigy chewing coca100-500[Moche artist(s)]Earthenware with slipEarly Mochica stirrup-spout effigy bottle of a seated figure, Early Intermediate Period, Moche II Phase, with hands held to crossed legs. He is chewing a coca-bean, and it is painted in cream, brownish-orange, and deep purplish-red.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/380/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStirrup spout bottle with owl100-500[Moche artist(s)]Earthenware with slipMiddle Moche avian form stirrup-spout effigy bottle, Early Intermediate Period, with short wings held closed to the sides of the rotund body. The feet are protruding below, with large ridged eyes and ears emerging from the sides of the head. It is painted in buff with orange painted feather pattern.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/18/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStirrup-spout Figural Bottle450-550[Moche artist(s)]Earthenware, white slip, ochre slip, pigment, and hand-built.Middle Mochica stirrup-spout bottle, Early Intermediate Period, Moche IV Phase, with rotund figure holding hands to the stomach, wearing cape tied at the neck. It is painted in orange and cream, with remains of black.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/19/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStirrup spout bottle with a man and a feline500-700[Moche artist(s)]Earthenware with slipMiddle Moche stirrup-spout bottle with a man and feline, Early Intermediate period, with pouch strapped at his side, carrying a feline, and wearing headdress with paw projections. It is painted in cream with areas of brownish-orange and black.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/374/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStirrup spout "portrait" bottle100-700[Moche artist(s)]Earthenware with slipMiddle Moche stirrup-spout portrait head bottle, Middle Horizon Period, with realistically rendered facial features with downward-cast eyes. It is wearing a broad headdress with projecting knops from the right forehead section, chin-strap, and black bonnet. It is painted in tan, brownish-orange, black, and cream.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/360/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStirrup-spout Figural Bottle with Boats and Felines100-700[Moche artist(s)]Earthenware, white slip, red slip, pigment, and hand-built.Mochica stirrup-spout bottle, Early Intermediate Phase, with rounded body, each side moulded with a canoe holding two kneeling figures back-to-back and rowing. The sides of the strap handle moulded with crouching feline figures. It is painted in brownish-orange and dark brown on a tan ground, which has beans, circles, clubs, spears, and other geometric designs.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/361/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStirrup spout bottle with hunters450-550[Moche artist(s)]Earthenware with slipMoche stirrup-spout bottle, Early Intermediate Period, Moche IV Phase, with warriors.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/1441/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStirrup-spout Bottle with Deity Fighting a Crab100-700[Moche artist(s)]Red earthenware, white slip, red pigment, burnishing, and hand-built.Moche stirrup-spout bottle, Early Internmediate Period, Moche III Phase, each side with a standing warrior wearing jaguar helmet, and feline heads suspended from his belt. He is holding a knife in his right hand, and fighting a crab demon with his left. It is painted in brown on a buff ground, and with double row of scroll design separating the two sides.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/362/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStirrup spout bottle with monkeys and depiction of warriors100-700[Moche artist(s)]Earthenware with slipMochica moulded stirrup-spout bottle, Early Intermediate Period, Moche V Phase, each side with confronted combating warriors elaborately dressed. Each is holding a knife, surmounted by a double strap, and are decorated with a crouching monkey. It is on a dotted field, and the spout painted with a club and shield design. It is painted in dark brown on a cream ground.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/20/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullJar with feline image1000-1470[Chimú artist(s)]Smudged earthenwareChimú moulded bottle, Late Intermediate period, each side moulded with a crouching feline figure, with large ears, incised whiskers, and a long curling tail. The feline body has dots painted on it and they are on a stippled ground. There are also twin lug handles and ridged neck.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/363/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStirrup spout bottle with manta ray1370-1470[Chimú artist(s)]Smudged earthenwareChimú manta-ray stirrup-spout bottle, Late Intermediate period, with squat-shaped body, ridged eyes, and tail at the back. The handle is moulded with a row of miniature avial figures, and the base of the spout has a crouching monkey.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/364/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullDouble-chambered single spout bridge vessel with figural scene800-1000[Lambayeque artist(s)]Earthenware with slipLambayeque moulded double-chambered whistling vessel, Early Intermediate period, with the front of the square section being surmounted by a standing llama, with two attendants. The back body moulded in the form of a shell with a tall tapering spout and a wide strap handle. It is painted in black, cream and reddish-brown, with areas of scroll and circular geometric patterns.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/365/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullBurial Urn1200-1500Earthenware with pigmentColumbian covered vessel, Rio de Magdalena, with a tall cylindrical body, moulded under the rim with three avials, each grasping a club in both talons. They have a long open beak and slit eyes, and are separated by lug handles. It is surmounted by a domed lid with a seated male figure, his hands placed on his raised knees. He has a large head with an incised mouth, bulging heavy-covered eyes, ridged ears, and short coiffure. Traces of buff and brown pigment.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/366/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullBat effigy vessel1000-1500[Tairona artist(s)]Earthenware with pigmentTairona tetra pod crescent-form effigy vessel, four-legged boat-shaped, surmounted on one end is a seated male figure wearing monster mask. At the other end is a bottle-shaped spout at the other end and there is a large spout flaring from the centre. It is painted in black-black.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/367/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSeated figure with gold nose ring1000-1400[Quimbaya artist(s)]Earthenware, goldQuimbaya seated figure, Late Classic period, of rectangular flattened form with hands resting on the raised knees. He has a large projecting nose and pierced septum, with incised eyes and mouth. Also it has large perforations across the forehead and chest, incised geometric bands on the arms and legs, and is wearing suspended gold ring from the nose. It is painted in orange with areas of black and white pigment remaining.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/429/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullHouse-form Vessel100-300 CE[Recuay artist(s)]Red earthenware, slip, pigment, and hand-built.Recuay house-form vessel, Early Intermediate period, of square form surmounted by a house. There is a diminutive figure at one side, a dog or cat near the open doorway, and a feline figure at back. There are areas of openwork decoration with feline motif designs on a buff ground. It is painted in orange with black resist geometric decoration.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/430/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullKneeling Male Effigy Bottle100-500 CE[Vicús artist(s)]Earthenware, black pigment, red pigment, burnishing, and hand-built.Vicus stirrup-spout bottle, Early Intermediate period, in squatting position and holding hands to his chest. His head is bent downwards, and it is painted in reddish-brown with black resist geometric designs.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/13/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullAnimal Effigy Bottle100-500 CE[Vicús artist(s)]Red earthenware, black pigment, and hand-built.Vicus zoomorphic stirrup-spout bottle, Early Intermediate period, with elongated body, and deeply incised eyes. It is painted in brownish-orange with black resist geometric decoration.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/387/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStanding male figure holding a cup1100-1450[Chancay artist(s)]Earthenware with pigmentChancay large vessel, Late Intermediate period, with ovoid beaker holding a flaring beaker in the hands. It is wearing a notched headdress and large circular ear ornaments. It is painted orange, dark brown and cream.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/368/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullLaughing falcon effigy whistling bottle with bridge handle500-300 BCE[Paracas artist(s)]Earthenware with pigment and resinParacas falcon-form stirrup-spout bottle, incised and moulded with a bird. It has small beak and ears, and wide-spread wings. It is painted in ochre, red and dark brown, with areas of geometric patterns.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/369/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullVessel in the Form of a Hand Holding a Jar400-100 BCE[Cupisnique artist(s)]Earthenware, red pigment, and coil.Chavin vessel, Late Early Horizon, of a left hand holding a small bowl, both incised with geometric designs, and traces of red pigment in the incisions.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/370/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullJar with Geometric Design500-100 BCE[Paracas artist(s)]Earthenware, burnishing, and hand-built.Paracas painted and incised vessel, Late Early Horizon, with rounded body, the shoulder incised with two panels containing diamonds and two with interlocking zig-zag motif. It is painted in green, ochre, and red, and slightly flaring cylindrical spout.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/371/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullBowl with Bird Imagery100-300[Nasca artist(s)]Red earthenware, slip, burnishing, and hand-built.Early Nazca painted dish, Early Intermediate Period, painted in deep red, grey, white tan and shades of brown, with a procession of birdsAncestral Abiayalahttps://emuseum.gardinermuseum.com/objects/372/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullDouble spout and bridge bottle with seabirds100-300[Nasca artist(s)]Earthenware with slipEarly Nasca painted bridge-spout bottle, Early Intermediate period, with two large standing birds with open beaks. It has backward-sweeping wings and tails, and a sea figure below, possibly a shark. It is painted in grey, purplish-red, cream, orange, and tan on a dark brown ground.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/373/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullEffigy vessel with anthropomorphic mythical being100-300[Nasca artist(s)]Earthenware with slipNasca painted effigy vessel, Early Intermediate period, of globular form. The front is moulded with a large demon wearing a tri-pointed headdress, mouth mask, incised geometric cape, and spiked arm decoration. There are curving demons with projecting tongues that are emerging from his legs at the back. He is grasping to his chest a vanquished warrior, with a moulded head, carrying a knife in his left hand and a trophy-head in the right. There is a cylindrical spout at the top. It is painted in deep reddish-brown, black, tan, and orange on a cream groundAncestral Abiayalahttps://emuseum.gardinermuseum.com/objects/355/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullDouble spout and bridge bottle with anthropomorphic mythical being or warrior200-400[Nasca artist(s)]Earthenware with slipNasca bridge-spout vessel, Early Intermediate period, with a large demon-headed figure wearing a serpent-like costume, carrying weapons and trophy-heads. It is painted in shades of grey, orange, brown, black, and cream.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/356/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullMolded "Aryballos" Face-bottle1450-1532[Inca artist(s)]Red earthenware, pigment, burnishing, and press moulded.Inca polychrome head vessel, North Coast Region, Late Horizon Period, with small head, chewing on a coca-bean, and closely-set eyes. It has pierced lug handles, flaring spout, and is painted in brownish-orange, cream, and dark-brown. Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/357/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullFemale Figure3500-2400 BCE[Valdivia artist(s)]EarthenwareValdivia female figure, Guayas Coast Region, Formative Period, with incised elaborate coiffure and hands resting on her stomach.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/358/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullFemale Figure3500-2400 BCE[Valdivia artist(s)]EarthenwareValdivia female figure, Guayas Coast Region, Formative Period, with incised elaborate coiffure and hands resting on her stomach.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/359/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullFemale Figure3500-2400 BCE[Valdivia artist(s)]EarthenwareValdivia female figure, Guayas Coast Region, Formative Period, with incised elaborate coiffure.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/354/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStanding Figure900 BCE-200 CE[Chorrera artist(s)]EarthenwareChorrera standing figure, Late Formative - Early Regional Development period, Manabí , Guayas Coast, with helmet style headdress and flipper-like arms, slitted bulging eyes, and gold paint on face.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/351/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStanding Female Figure200 BCE - 300 CE[Jama Coaque artist(s)]EarthenwareJama Coaque Phase standing female figure, Manabí Region, Ecuador, Regional Developmental Period, with arms out and palms open. She is wearing nose, lip, ear ornaments, helmet style headdress, and a necklace and bracelets. There are traces of green paint on incised necklaces, bracelets and black, gold, and red paint on her skirt and legs.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/352/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSeated figure with hands on knees500 BCE-300 CE[Jama Coaque artist(s)]EarthenwareJama Coaque Phase standing figure, Manabí Region, Ecuador, Regional Developmental Period, with hands resting on knees. The hands also hold a coca paraphernalia and there is coca in the cheeks. The figure wears large ear spools with gold paint, nose ornament, necklace, and breastplate. As well there are bands on the wrists and legs and the elaborate headdress has appliquéd decoration.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/353/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullFigure200 BCE - 300 CE[Jama Coaque artist(s)]Earthenware with pigmentJama Coaque Phase standing male figure, Manabí Region, Ecuador, Regional Developmental Period, with legs crossed and is wearing a breechcloth, elaborate headdress, ear plugs, and a necklace. He is holding a tusk-like instrument for use of coca in the left hand and he has coca in his cheeks. Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/350/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullZoomorphic Figure with Tail200 BCE - 300 CE[Jama Coaque artist(s)]EarthenwareJama Coaque Phase standing tansformation human figure with tail, Manabí Region, Ecuador, Regional Developmental Period, in act of transforming into feline. The figure has slitted eyes, mouth, and a protruding nose and ears. It is wearing two strand bead necklaces and other necklaces. The arms at side and is wearing breechcloth. There are traces of buff paint.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/348/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSeated Figure with Upraised Arms200 BCE - 300 CE[Jama Coaque artist(s)]Earthenware with pigmentJama Coaque Phase seated figure, Manabí Region, Ecuador, Regional Developmental Period, with left arm resting on knees and the right arm raised. The headdress has six birds, and it is wearing a nose ring, broad incised earrings, and a necklace. Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/349/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullFigure of an Emaciated Male200 BCE - 300 CE[Jama Coaque artist(s)]EarthenwareJama Coaque Phase figure of an emaciated male, Manabí Region, Ecuador, Regional Developmental Period, with sunken cheeks and coca in the cheeks. The ribs are exposed, and the chest sunken. He is wearing a helmet style headdress with topknot. It is gold post-fired paint on lower body and on the headdress. Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/347/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullChone Style Mold-made Male Figure with Feather Headdress500 BCE - 300 CE[Jama Coaque artist(s)]EarthenwareJama Coaque Chone style mold-made male figure, Manabí Region, Ecuador, Regional Developmental Period, with a feather costume and a shirt and trousers. The headdress is an elaborate crescent shape with appliquéd dot decoration. The earrings are long and dangling and his eyes are D shaped.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/559/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullFemale figure holding a statuette/child500 BCE-500 CE[Bahía artist(s)]Earthenware with pigmentBahía seated mother and child figure, Los Esteros, Reginal Development period, holding the sleeping infant in both hands to her chest. Her straight legs are extended forward, and she has a pierced mouth and bulging eyes. The figure is wearing a skirt with geometric ornamentation, broad collar, domed headdress with outward-turned brim, and dotted earrings. It is painted in brownish-red, ochre, blue, green, and white.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/560/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullMale figure chewing coca500 BCE - 500 CE[Bahía artist(s)]Earthenware with pigmentManabí standing male figure, Los Esteros, Bahía, Reginal Development period, standing on a rectangular base and holding a coca spoon to his mouth. The large head has a wide jutting chin, and is wearing a sashed loin-cloth, domed headdress with side flanges, and necklace with shell pendant. It is painted in reddish-brown, black, ochre, and white.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/561/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSeated figure with spiked headdress500 BCE - 200 CE[Bahía artist(s)]EarthenwareEcuador/Bahía Phase mould-made seated Figure, Manabí Region, Regional Developmental Period, with spiked headdress and wears a tusk shaped pendant. There are traces of gold, red paint.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/345/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSeated figure with spiked headdress500 BCE - 200 CE[Bahía artist(s)]EarthenwareEcuador/Bahía Phase seated Figure, Manabí Region, Regional Developmental Period, with legs crossed and hands on legs. It has a red painted spiked headdress, large ear spools, nose ornament, and a tusk-shaped pendant. The eyes are bulging. There is gold paint on chest and head, and red paint on the lower torso.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/346/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSeated figure500 BCE - 200 CE[Bahía artist(s)]Earthenware with pigmentEcuador/Bahía Phase seated Figure, Manabí Region, Regional Developmental Period, with hands resting on knees. The figure is wearing a nose ornament, large ear spools, and a spiked headdress. There is coca in the cheeks and gold paint on the ear spools.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/562/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSpindle Whorl850-1500[Manteño artist(s)]Earthenware with kaolin, incised designsEcuador/Manteño Phase spindle whorls strung on string, Manabí , Guayas Coast, Integration Phase. They are incised with designs on the spindle whorls of birds and animals.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/344/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSpindle Whorl850-1500[Manteño artist(s)]Earthenware with kaolin, incised designsEcuador/Manteño Phase spindle whorls strung on string, Manabí , Guayas Coast, Integration Phase. They are incised with designs on the spindle whorls of birds and animals.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/117/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSpindle Whorl850-1500[Manteño artist(s)]Earthenware with kaolin, incised designsEcuador/Manteño Phase spindle whorls strung on string, Manabí , Guayas Coast, Integration Phase. They are incised with designs on the spindle whorls of birds and animals.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/553/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSpindle Whorl850-1500[Manteño artist(s)]Earthenware with kaolin, incised designsEcuador/Manteño Phase spindle whorls strung on string, Manabí , Guayas Coast, Integration Phase. They are incised with designs on the spindle whorls of birds and animals.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/554/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSpindle Whorl850-1500[Manteño artist(s)]Earthenware with kaolin, incised designsEcuador/Manteño Phase spindle whorls strung on string, Manabí , Guayas Coast, Integration Phase. They are incised with designs on the spindle whorls of birds and animals.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/555/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSpindle Whorl850-1500[Manteño artist(s)]Earthenware, white slip, and hand-built.Ecuador/Manteño Phase spindle whorls strung on string, Manabí , Guayas Coast, Integration Phase. They are incised with designs on the spindle whorls of birds and animals.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/556/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSpindle Whorl850-1500[Manteño artist(s)]Earthenware, white slip, and hand-built.Ecuador/Manteño Phase spindle whorls strung on string, Manabí , Guayas Coast, Integration Phase. They are incised with designs on the spindle whorls of birds and animals.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/557/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSpindle Whorl850-1500[Manteño artist(s)]Earthenware with kaolin, incised designsEcuador/Manteño Phase spindle whorls strung on string, Manabí , Guayas Coast, Integration Phase. They are incised with designs on the spindle whorls of birds and animals.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/558/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSpindle Whorl850-1500[Manteño artist(s)]Earthenware with kaolin, incised designsEcuador/Manteño Phase spindle whorls strung on string, Manabí , Guayas Coast, Integration Phase. They are incised with designs on the spindle whorls of birds and animals.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/51/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSpindle Whorl850-1500[Manteño artist(s)]Earthenware with kaolin, incised designsEcuador/Manteño Phase spindle whorls strung on string, Manabí , Guayas Coast, Integration Phase. They are incised with designs on the spindle whorls of birds and animals.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/52/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullCovered Jar with Dish Lid850-1500[Manteño artist(s)]Earthenware with pigmentEcuador/Manteño Phase covered vessel, Manabí , Guayas Coast, Integration Period, with fitted lid. It has incised designs on the cover and concave top of the lid.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/342/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullSeated figure chewing coca1100-1400[Carchi artist(s)]EarthenwareCarchi, seated figure chewing coca, Northern Highlands, Ecuador/Cara Phase, Integration Period, with a double headed serpent on the head. The figure wears ear spools and breechcloth. It has its left arm on the knee and the right arm raised to the mouth.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/343/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullMale figure seated on an bench850-1300[Carchi artist(s)]Earthenware, white pigment, and hand-built.Carchi seated male figure, Ecuadorian or Central American, Middle Integration period, on an openwork bench. His hands are at his sides, and he is wearing a festooned headdress. It is brown-brown ware.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/541/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStanding Male Figure850-1500[Manteño artist(s)]Earthenware, red pigment, and hand-built.Manteño standing male figure, Ecuadorian, Integration period, with hands held at his sides, feet close together, a projecting nose and pierced septum. He is wearing a beaded collar, ear-spools, and headdress decorated with birds. The right side of his chest and back are incised with linear designs. There are traces of pigment remaining.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/542/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStanding Male Figural Pedestal Dish1100-1500[Manteño artist(s)]EarthenwareManteño standing male figure, with broad shoulders standing on a raised circular platform. He has a smiling expression, perforated eyes, and a large flaring and flattened disc headdress as a spout. It is a grey ware figure.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/543/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullEffigy vessel in the form of a head800-1000 CE[Wari artist(s)]Earthenware with slipWari head-form cup, Middle Horizon period, with open mouth and large staring eyes. It is wearing a knopped head-band and earrings. It is painted in black, white and shades of brown.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/544/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullEffigy vessel in the form of a head800-1000[Wari artist(s)]Earthenware with slipWari effigy head-form vessel, Middle Horizon period, with eyes crossed. It is wearing a labret and earrings, and the headdress is forming the spout. There is a band broken meander designs around the face and rim of the vessel. The vessel is painted in shades in brown, cream, and black.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/545/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullDouble-bridge-spout Bottle with Birds800-1000[Wari artist(s)]Red earthenware, slip, burnishing, and press moulded.Wari painted double-bridge-spout bottle, Middle Horizon period, with parrot heads. Each with an open beak and projecting plumes. It is painted in grey, cream, black and dark brown on a dark orange ground.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/546/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullDouble spout and bridge bottle with warriors800-1000[Wari artist(s)]Earthenware with slipWari painted double-bridge-spout bottle, Middle Horizon period, with each side of a warrior's head in profile. They are each wearing a helmet with projecting avial heads. It is painted in grey, cream, black and dark brown on a dark orange ground.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/547/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullDish with Geometric Design500-300 BCE[Paracas artist(s)]Earthenware, ochre pigment, and brown pigment.Paracas painted bowl, the interior and exterior incised with linear motifs, and painted in ochre, deep reddish-orange and brown.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/772/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStanding female figure500 BCE - 500 CE[Jama Coaque artist(s)]Earthenware with pigmentManabí standing female figure, Jama Coaque, with arms held slightly away from the sides of the body, wearing multi-stranded necklace, nose and earrings and domed headdress decorated with lappets. Remains of brown, ochre and green pigment.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/774/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStanding female figure500 BCE - 500 CE[Jama Coaque artist(s)]Earthenware with pigmentManabí standing female figure, Jama Coaque, Regional Development Period, with arms incised with geometric decoration. She is wearing a separately-modelled necklace, and with remains of green, ochre and reddish-brown pigment.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/775/rdfhttps://emuseum.gardinermuseum.com/internal/media/dispatcher/10670/fullStanding female figure500 BCE - 500 CE[Jama Coaque artist(s)]Earthenware with pigmentManabí standing female figure, Jama Coaque, Regional Development Period, wearing skirt, jewellery and domed headdress, and with remains of ochre, brown and green pigment.Ancestral Abiayalahttps://emuseum.gardinermuseum.com/objects/776/rdf